The link to a video that summarises an interesting digitisation project of artworks in the deposits (and therefore invisible) of the Crocetti Museum in Rome.
Among the various instruments acquired to bring this project to life, I recommended the Miraco Pro for scanning. The Revopoint scanner proved to be the optimal choice due to the possibility of being used in standalone mode, also considering the context in which it had to operate (small spaces, impossibility of moving the sculptures).
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Excellent work scanning these. How did you manage to get complete 360 when you couldn’t move them please? Did you need to do any post work in cad to complete them?
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thanks for the appreciation.
it’s not me who did the scanning work but a colleague. I know he proceeded with multiple scans merged later (always in Revoscan). I think he did some editing with Zbrush.